Rootless Chord Voicing For Exciting Sounds!

Chord voicing refers to the way notes of a chord are arranged. The most basic voicing of a chord is in it's triad form in root position; root of the chord as the lowest note in the chord, then the 3rd of the chord, then the 5th. Any chord can be inverted, so the 1st inversion chord voicing would find the 3rd as the lowest note in the chord, then the 5th, followed by the root on top -- one octave higher. The 2nd inversion of the chord would find the 5th as the lowest note, followed by the root, with the 3rd on top -- one octave higher.
Rootless chord voicing involves leaving out the root of the chord but using other intervals and implying the root.  For example, you might voice the C major chord with the 3rd and 5th along with some color tones, such as a 6th or 7th, but leave the root note (C) out. But since the 3rd, 5th and 7th of the chord is being used, it implies a root -- C.

Rootless chord voicings from chordman on Vimeo.

Minor Chords

There are only 12 minor chords -- even though some of the 12 have more than one name, such as C# minor and Db minor. They are called "enharmonic" chords -- they sound alike but are written differently on a music score.

Here are the 12 minor chords:

C minor chord is C, Eb, G
F minor chord: F, Ab, C
G minor chord: G, Bb, D
D minor chord: D, F, A
E minor chord: E, G, B
A minor chord: A, C, E
Db minor chord: Db, Fb, Ab (Fb is enharmonic with E)
Eb minor chord: Eb, Gb, Bb
Ab minor chord: Ab, Cb, Eb (Cb is enharmonic with B)
Gb minor chord: Gb, Bbb, Db (Bbb is enharmonic with A)
B minor chord: B, D, F#
Bb minor chord: Bb, Db, F

What is an octave?

The word "octave" is related to "octopus", "octagon", etc -- in other words, eight. In music, an octave is 8 diatonic scale notes  higher or lower than  the note of the same name.

For example, the "A" note is always 8 notes higher or lower than the previous "A". The "A" above middle C vibrates 440 times per second, so the "A" an octave above it would vibrate 880 times per second, while the "A" below middle C would vibrate 220 times per second, and so on.

The human ear identifies these octave notes as being "the same" -- only higher or lower, so if a soprano sang A440 and a bass sang A110, the human ear would hear it as the same note -- just separated by pitch. That's why there are only 7 distinct diatonic pitches and only 12 distinct chromatic pitches, despite the fact that the piano keyboard has 88 keys. Each note is repeated over and over again, but at a higher or lower octave.

What is an octave?

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How To Hear Differences in Chord Types

Each type of chord gives off a mood of its own. By associating the mood, or emotion, with a specific chord type, you can soon learn to distinguish between the basic kinds of triads:

Major

Minor

Diminished

Augmented

For example, minor chords sound more somber, more serious, than major chords. Why? Because of the way the intervals are "stacked" within the chord. A diminished chord sounds suspenseful, tense, nervous. An augmented chord has a distinctive sound, too. Learn how to hear, feel, and identify these chords, as well as extended chords (you'll learn how to listen for the "color tone" in any 4-note chord).

Here are the color tones we'll listen for:

6ths
7ths
9ths

Once you can identify the 4 types of triads, and then recognize the color tones, it is a short step to recognizing chords such as minor 7ths, minor 6ths, diminished 7ths, major 9ths, and so on.

http://www.playpianocatalog.com/ear-training-chords--how-to-hear-differences-in-chord-types.html

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The First Noel The Angels Did Say

It Came Upon a Midnight Clear

Rubato vs Steady Time from chordman on Vimeo.

Another Christmas Carol arranged for piano using chords

Angels From The Realms of Glory using 2/1 ratio of chords