Though some types of choir, such as the community choir, don't require much out of an audition (if they require an audition at all), there are certain traits a vocalist must possess in order to be able to handle the duties of choir membership. First and foremost, the choir member must be able to sing in tune; it seems common knowledge, but many would-be choir members are impervious to this ability. But singing in tune isn't enough -- choir members must also be able to blend their voice within the presence of other voices, to control vibrato and volume; the point to a choir, after all, is to hear an amalgamation of voices not one in particular. It is also vitally important that a choir member be able to read sheet music. An inability to read music will inevitably lead to the choir member never being able to learn his or her parts. Sight-reading, or the ability to read a piece of music without ever having seen it, is especially preferable for choir members, as a conductor will frequently ask the choir to sing through an entire piece immediately in order to get a sense of the music. Lastly, a choir member must have an independent ear; that is, they must be able to sing their part even while hearing a different part coming from the alto or tenor section. If a choir member has this problem and it's very slight, the conductor will usually place them in a position far from any imposing alternative parts, but a consistent inability to hear one's own voice will ultimately lead to a choir member having a difficult time with the entire performance.
Monday, October 06, 2008
For a good overall musical education, join a choir
Though some types of choir, such as the community choir, don't require much out of an audition (if they require an audition at all), there are certain traits a vocalist must possess in order to be able to handle the duties of choir membership. First and foremost, the choir member must be able to sing in tune; it seems common knowledge, but many would-be choir members are impervious to this ability. But singing in tune isn't enough -- choir members must also be able to blend their voice within the presence of other voices, to control vibrato and volume; the point to a choir, after all, is to hear an amalgamation of voices not one in particular. It is also vitally important that a choir member be able to read sheet music. An inability to read music will inevitably lead to the choir member never being able to learn his or her parts. Sight-reading, or the ability to read a piece of music without ever having seen it, is especially preferable for choir members, as a conductor will frequently ask the choir to sing through an entire piece immediately in order to get a sense of the music. Lastly, a choir member must have an independent ear; that is, they must be able to sing their part even while hearing a different part coming from the alto or tenor section. If a choir member has this problem and it's very slight, the conductor will usually place them in a position far from any imposing alternative parts, but a consistent inability to hear one's own voice will ultimately lead to a choir member having a difficult time with the entire performance.
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