I read this in an article on the web:
"Sight reading is the act of reading and playing a piece of music before having ever seen it: on sight. This technique is a vital one for musicians to learn. Being skilled in sight reading makes reading a piece of music easier; the musician doesn't have to labor over every note and re-teach themselves the common patterns. Sight reading, after a decent amount of practice, becomes like second nature."
Well, nice, but not quite.
Sure -- it's great to be able to do that, but about 99% of working musicians CAN'T do that -- including me, so don't feel bad if you're one of us. (I can sight-read most printed music, but there's plenty of complicated scores that take me lots of time to master.)
For the classical musician it is imperative to be able to sight-read well, but for most pop and gospel and rock musicians, something less is usually quite adequate. Why? Because in pop and folks and gospel and rock and jazz, musicians don't usually play a song as it is written anyway. Instead, they use the sheet music as a "map" to give them the general directions of a song, then by adding their own skills to it create something much more exciting than the usual piece of sheet music.
All a pop musician really needs is a knowledge of chords and some music theory, then an overview of how reading music works. After all, music is made of melody, harmony, and rhythm, so you can get a fairly clear picture of reading music as a whole in just a short time.
You won't be great at reading music, of course, but you'll get the idea, and you can develop your sight-reading skills lots more as you go along. That's what I call "coming in through the back door."
Can you learn to read music in just a few hours?
Friday, October 26, 2007
Thursday, October 25, 2007
Would you like to Tango? (on the piano, that is)
Latin-American rhythms are a lot of fun to play on the piano because they keep both hands busy -- sometimes playing different rhythms.
But the rhythm of the tango is not as complex as one would think, but because of the interplay between various instruments, one micht get that impression.
There are two basic types of tangos — the Spanish Tango and the Argentine Tango.
The basic structure of the Spanish Tango is in 4/4 with a quarter notes on the first beat followed by an eighth rest on the first half of the 2nd beat followed by two quarter notes in each measure, whereas the Argentine Tango is in 4/4 with three quarter notes followed by 2 eighth notes per measure.
To complicate things a bit, the Spanish Tango sometimes has a two measure rhythm, with the 2nd measure consisting of eighth, quarter, eighth, quarter, quarter.
All this plus many other rhythms are covered in detail in Rhythm Piano.
But the rhythm of the tango is not as complex as one would think, but because of the interplay between various instruments, one micht get that impression.
There are two basic types of tangos — the Spanish Tango and the Argentine Tango.
The basic structure of the Spanish Tango is in 4/4 with a quarter notes on the first beat followed by an eighth rest on the first half of the 2nd beat followed by two quarter notes in each measure, whereas the Argentine Tango is in 4/4 with three quarter notes followed by 2 eighth notes per measure.
To complicate things a bit, the Spanish Tango sometimes has a two measure rhythm, with the 2nd measure consisting of eighth, quarter, eighth, quarter, quarter.
All this plus many other rhythms are covered in detail in Rhythm Piano.
Monday, October 22, 2007
How To Harmonize Any Tune With An Appropriate Chord In The Left Hand
I used to wonder how in the world good piano players knew which chords to use in a song -- when there was no music in front of them. They would play song after song effortlessly without ever looking at a piece of sheet music.
I remember a man in Hollywood named Dave who was known as "THE piano teacher". Big names -- recording artists -- took lessons from him. Students and others sitting around the room in his studio on Cahuenga Blvd. (between Sunset Blvd. and Hollywood Blvd.) would call out songs and Dave would play them one after another. If he didn't know the song, he would ask them to sing or hum a few bars. Before long he was playing the song with both hands -- not just the tune, but harmonizing each melody note with a beautiful chord. I loved it, but I had no idea how he did it.
I was so impressed by his ability to do this that I pumped up my courage and asked him if he would give me private lessons. He said he would, but his prices were out of my league at the time (I was in college). But a few months later during the summer I saved up enough to take 6 weeks of lessons.
By the time those 6 weeks were up, I was able to do pretty much the same as Dave -- not quite, but close. And I was thrilled! What I learned that summer -- even though it cost me a great deal -- has been worth a fortune to me -- not only in money, but in terms of satisfaction and just the sheer joy of being able to harmonize any song with a series of appropriate and beautiful chords!
For the full story, please go to "How To Harmonize Any Tune With Beautiful Piano Chords!" at http:www.harmonizeanytune.com
I remember a man in Hollywood named Dave who was known as "THE piano teacher". Big names -- recording artists -- took lessons from him. Students and others sitting around the room in his studio on Cahuenga Blvd. (between Sunset Blvd. and Hollywood Blvd.) would call out songs and Dave would play them one after another. If he didn't know the song, he would ask them to sing or hum a few bars. Before long he was playing the song with both hands -- not just the tune, but harmonizing each melody note with a beautiful chord. I loved it, but I had no idea how he did it.
I was so impressed by his ability to do this that I pumped up my courage and asked him if he would give me private lessons. He said he would, but his prices were out of my league at the time (I was in college). But a few months later during the summer I saved up enough to take 6 weeks of lessons.
By the time those 6 weeks were up, I was able to do pretty much the same as Dave -- not quite, but close. And I was thrilled! What I learned that summer -- even though it cost me a great deal -- has been worth a fortune to me -- not only in money, but in terms of satisfaction and just the sheer joy of being able to harmonize any song with a series of appropriate and beautiful chords!
For the full story, please go to "How To Harmonize Any Tune With Beautiful Piano Chords!" at http:www.harmonizeanytune.com
Saturday, October 06, 2007
Transposing a song from one key to another
Transposition is changing the key of a piece of music, or changing the notes without changing their relationship.
This is often done to make the piece of music easier to play or sing. It's a common practice in bands that don't perform their own material; the singer may wish to cover a song with vocals that are far out of his or her range. Transposition can correct that problem by shifting the key into a range that is comfortable for him or her. Transposition is also used with instruments. Some instruments (called transposing instruments) are not tuned to the same note; for instance, a bass clarinet is tuned to a B flat and a high clarinet to an E flat. Transposition of the sheet music for these instruments ensures that they won't sound awkward and flat when playing with the rest of the orchestra or band.
Transposition by scale degree uses the scale degrees of a piece of music to determine the relationship between the notes. Each note in a piece is assigned a scale degree (tonic, submedian, etc.) and the same scale degrees are used for the new chord. This type of transposition is potentially simple, as the relationship between the notes will always remain the same, regardless of the key.
Transposition by harmonic interval uses intervals as a guide for the transposition. By finding the interval between the dominant notes in the two keys, one can deduce the interval between the all the notes. If the difference between the notes is a major third, then transposition of all the notes will be done by a major third. This type of transposition is also potentially simple but calls for an added carefulness when dealing with accidentals that aren't expressed in the key signature.
I personally use a combination of the two, but the real secret to transposition is to be able to think in each key; in other words, to be as fluent in one key as you are in another. Most people start out playing everything in the key of C, since the scale of C has no black keys. I have a friend that did just the opposite -- he played everything in the key of Gb, because that way he could use all the black keys and only a couple of the white keys.
In any case, get familiar with all 12 major keys and all 12 minor keys. That way you won't be in a "foreign country" when you need to play in some key you aren't used to. It's analagous to learning to speak 12 languages to some degree -- at least enough to get by.
And by the way, many people confuse transposing and modulating. Modulating is the process you use to get from key to key -- like a smooth hallway between keys.
This is often done to make the piece of music easier to play or sing. It's a common practice in bands that don't perform their own material; the singer may wish to cover a song with vocals that are far out of his or her range. Transposition can correct that problem by shifting the key into a range that is comfortable for him or her. Transposition is also used with instruments. Some instruments (called transposing instruments) are not tuned to the same note; for instance, a bass clarinet is tuned to a B flat and a high clarinet to an E flat. Transposition of the sheet music for these instruments ensures that they won't sound awkward and flat when playing with the rest of the orchestra or band.
Transposition by scale degree uses the scale degrees of a piece of music to determine the relationship between the notes. Each note in a piece is assigned a scale degree (tonic, submedian, etc.) and the same scale degrees are used for the new chord. This type of transposition is potentially simple, as the relationship between the notes will always remain the same, regardless of the key.
Transposition by harmonic interval uses intervals as a guide for the transposition. By finding the interval between the dominant notes in the two keys, one can deduce the interval between the all the notes. If the difference between the notes is a major third, then transposition of all the notes will be done by a major third. This type of transposition is also potentially simple but calls for an added carefulness when dealing with accidentals that aren't expressed in the key signature.
I personally use a combination of the two, but the real secret to transposition is to be able to think in each key; in other words, to be as fluent in one key as you are in another. Most people start out playing everything in the key of C, since the scale of C has no black keys. I have a friend that did just the opposite -- he played everything in the key of Gb, because that way he could use all the black keys and only a couple of the white keys.
In any case, get familiar with all 12 major keys and all 12 minor keys. That way you won't be in a "foreign country" when you need to play in some key you aren't used to. It's analagous to learning to speak 12 languages to some degree -- at least enough to get by.
And by the way, many people confuse transposing and modulating. Modulating is the process you use to get from key to key -- like a smooth hallway between keys.
Tuesday, October 02, 2007
Medicine & Jazz Piano
Over the years I have taught scores, if not hundreds, of doctors and medical professionals learn to play the piano better. Many of them play jazz, and often not just for their own amusement, but they form combos and play weekends at resturants and clubs and rest homes and rec centers and you name it.
I don't know what the connection is -- maybe they just need a release from what they do all week long -- but it seems to happen again and again.
I don't often plug other people's courses, but I came across a young med student who is also a terrific jazz pianist, and he has come out with a course on playing jazz piano. His name is James Wrubel. Check it out at "How To Play Jazz Piano".
And even if jazz isn't your favorite style, you can still learn a LOT that will help you as you play songs in your style.
I don't know what the connection is -- maybe they just need a release from what they do all week long -- but it seems to happen again and again.
I don't often plug other people's courses, but I came across a young med student who is also a terrific jazz pianist, and he has come out with a course on playing jazz piano. His name is James Wrubel. Check it out at "How To Play Jazz Piano".
And even if jazz isn't your favorite style, you can still learn a LOT that will help you as you play songs in your style.
Monday, October 01, 2007
Adult piano courses
We are working on a new shopping cart for our web site which will be much easier to navigate and operate. It's not done yet, but if you want to have a look at it, go over to Adult Piano Courses.
Friday, September 28, 2007
The simple secrets to harmonization
Have you ever wondered how in the world the really top piano players knew which chords to use in a song -- when there was no music in front of them. They would play song after song effortlessly without ever looking at a piece of sheet music.
I remember a man in Hollywood named Dave who was known as "THE piano teacher". Big names -- recording artists -- took lessons from him. Students and others sitting around the room in his studio on Cahuenga Blvd. (between Sunset Blvd. and Hollywood Blvd.) would call out songs and Dave would play them one after another. If he didn't know the song, he would ask them to sing or hum a few bars. Before long he was playing the song with both hands -- not just the tune, but harmonizing each melody note with a beautiful chord. I loved it, but I had no idea how he did it.
I finally got up the courage to ask him if he would teach me how to do that too. Read the rest of the story here.
I remember a man in Hollywood named Dave who was known as "THE piano teacher". Big names -- recording artists -- took lessons from him. Students and others sitting around the room in his studio on Cahuenga Blvd. (between Sunset Blvd. and Hollywood Blvd.) would call out songs and Dave would play them one after another. If he didn't know the song, he would ask them to sing or hum a few bars. Before long he was playing the song with both hands -- not just the tune, but harmonizing each melody note with a beautiful chord. I loved it, but I had no idea how he did it.
I finally got up the courage to ask him if he would teach me how to do that too. Read the rest of the story here.
Tuesday, September 25, 2007
Jazz piano videos
Here are some short videos of a jazz pianist teaching some of his techniques including some jazz chords. Good stuff! Jazz piano Click on the link at the top of the page that says "Video Clips"
Sunday, September 23, 2007
Piano PDFs & Piano Ebooks
There is a growing trend for more and more music publishers to come out with piano PDFs and other forms of piano ebooks. I think it is a good development, because it does away with the delay between wanting to learn some aspect of piano playing and the fulfillment of that desire. With a physical piano course there is often a time gap of a week or more before the course reaches the individual buying it because of shipping time. But with a downloadable piano course a person can decide they need to learn that particular thing, and 60 seconds or so later actually be learning it!
Of course downloadable piano courses are much shorter in length than DVD piano courses and cannot by their very nature show full-motion video. But even that will change someday not too far off.
Here are a few PDF piano courses a person could download and start learning immediately:
"Become a Musical Mindreader"
"Power Piano Chords"
"Instant Chord Finder Software"
"Piano Tabs & Guitar Tabs"
Of course downloadable piano courses are much shorter in length than DVD piano courses and cannot by their very nature show full-motion video. But even that will change someday not too far off.
Here are a few PDF piano courses a person could download and start learning immediately:
"Become a Musical Mindreader"
"Power Piano Chords"
"Instant Chord Finder Software"
"Piano Tabs & Guitar Tabs"
Saturday, September 22, 2007
What in the world are "piano tabs"?
Do you know what piano tabs are?
If you don't, please don't feel bad. I didn't either.
I've used chords in my piano playing all my life, but when the phrase "piano tabs" or "chord tabs" started coming up in various places, I started asking my musician friends what they were. Most didn't know -- like me.
So I asked a teen-aged guitarist if he knew what they were, and he said "I know what guitar tabs are, but I'm not sure what piano tabs are"
So I hired a writer I know to write an ebook on piano tabs. The more she got into the research needed to write the ebook, the more she saw that guitar tabs and piano tabs are very similar, so asked me if she could include guitar tabs in the ebook.
I said "Sure -- why not?"
She just finished it, and it opened my eyes, so I thought there are plenty of other piano players who, like me, would like an overview of piano and guitar tabs and how they work.
My name may be on the ebook, but as I said, I didn't write it. (It cost quite a bit to have it written and then have all the illustrations put into an ebook).
So if you are curious about piano tabs as I was, you can pick it up at
"Piano Tabs & Guitar Tabs".
If you don't, please don't feel bad. I didn't either.
I've used chords in my piano playing all my life, but when the phrase "piano tabs" or "chord tabs" started coming up in various places, I started asking my musician friends what they were. Most didn't know -- like me.
So I asked a teen-aged guitarist if he knew what they were, and he said "I know what guitar tabs are, but I'm not sure what piano tabs are"
So I hired a writer I know to write an ebook on piano tabs. The more she got into the research needed to write the ebook, the more she saw that guitar tabs and piano tabs are very similar, so asked me if she could include guitar tabs in the ebook.
I said "Sure -- why not?"
She just finished it, and it opened my eyes, so I thought there are plenty of other piano players who, like me, would like an overview of piano and guitar tabs and how they work.
My name may be on the ebook, but as I said, I didn't write it. (It cost quite a bit to have it written and then have all the illustrations put into an ebook).
So if you are curious about piano tabs as I was, you can pick it up at
"Piano Tabs & Guitar Tabs".
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