More Reasons Why Everyone Should Learn Chord Piano

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Music software: Exciting things you can do in music on the internet using software!

Are you a musical prodigy as well as a tech savvy computer fiend? You might as well combine the two and look into the hundreds of ways in which you can not only learn, but create, and edit your music with your computer, using software readily available online. There are hundreds of options out there, many of them perfect ways for you to unlock your inner virtuoso.

Please go to http://www.playpiano.com/Articles/36-musicsoftware.htm to read the entire article.

Famous people who played the piano

Of our 42 US Presidents, two of them were pianists, both Richard Nixon and Harry S. Truman. Even today, famous politicians such as Condeleeza Rice serve who is a wonderful pianist, who at one time considered becoming a concert pianist before pursuing her degrees in international relations and economics.

Please go to http://www.playpiano.com/Articles/37-famouspeoplepiano.htm to read the entire article.

Chord Substiution Technique #1

Please go to http://www.playpiano.com/101-tips/34-chord-subs-1.htm

Music Theory & Harmony: Boring?

Music Theory & Harmony: Boring? No!
It's An Exciting X-Ray Into

How Music Works!

It's a sad fact that most people, including piano players, regard music theory and harmony as some abstract concept that has very little to do with the songs they play on their pianos. Nothing could be further from the truth. Knowing music theory and harmony is the key to opening a whole new world of exciting insights into the songs we play, and enable us to do things on the piano we never dreamed we could do, to say nothing of enjoying the process a hundred times more.

What is music theory, and how can I benefit?

Here are just a few of the wonderful skills and insights a person benefits from by learning music theory:

How notation works -- a huge advantage in sight-reading.

The hierarchy of rhythm -- solving rhythm problems before they begin.

All kinds of scales -- the "ladders of notes" every song is composed of. Major scales, 3 types of minor scales, chromatic scales, whole tone scales, modal scales.

How transposition and modulation works -- playing songs in different keys, and getting from one key to another smoothly.

Complex time signatures, and what they tell you.

Perfect, major & minor intervals -- helps ear training greatly.

Two-part and four-part harmony.

For the rest of this article, please go to http://www.playpiano.com/musictheoryharmony.htm

Piano Chord-Casts

If you listen to podcasts, here are some piano-related podcasts called "Piano Chord-Casts"

http://web.mac.com/chordsgalore/iWeb/Site/Podcast/Podcast.html

Duane

PS They are all free, of course.

Is It Really Possible To Play The Piano By Ear?

Is It Really Possible To Play The Piano By Ear?

Playing by ear is the ability to play a piece of music (or, eventually, learn an instrument) by simply listening to it repeatedly. The majority of self-taught musicians began their education this way; they picked up their instrument and began playing an easy melody from a well-known song, slowly picking out the notes as they went along. And even after these musicians master their instruments or a particular song, playing by ear still plays a large role.

Many pop and rock bands don't play or write their songs based on sheet music, they figure the songs out by playing by ear. It's even common among non-musicians. Ever sit down a piano and mindlessly pick out the tune to "Mary Had a Little Lamb"? What about grabbing a guitar and suddenly finding yourself playing the opening licks to "Smoke on the Water"? That's playing by ear. You're able to play part of the song just because you've heard it so often.

Playing by ear is a valuable technique for many musicians; learning songs based solely on hearing them is a great way to understand song and chord structure. In fact, a great number of rock and pop musicians learned to play their instruments this way. Instead of picking up a book or taking lessons, they concentrated on figuring out the notes and rhythms to a song until it was mastered. Then they moved on to another song. And another. Gradually, they learned their instrument just by playing by ear -- and in the process learned how to effectively structure a song in that particular genre.

To continue this article, please click here:

http://www.playpiano.com/Articles/33-pianobyear.htm

Piano Books: The Top Piano Books To Help You Become a Better Piano Player!

Piano Books: The Top Piano Books To Help You Become a Better Piano Player

There are umpteen zillion piano books available in music stores and online at such places as Amazon. And piano books are usually necessary if your goal is to become a better pianist.

But how does a person know which piano books are necessary and which books are redundant, to say nothing of good or bad. There are books on music theory, scales, chords, books about composers, books about music in general, and of course piano lesson books by Schaum, Williams, Alfred d'Auberge, Bastien, John Thompson, Glover, etc., etc.

The best way is to divide the study of piano playing into it's components:
General lesson piano books:

For the rest of this article, please go to: http://www.playpiano.com/pianobooks.htm

Chords

In contrast to a unison or an interval, a chord is any group of 3 or more notes that are played at the same time. Broken chords, also known as arpeggios, are chords which are played one note at a time, but add up to 3 or more notes.

For full article, please go to:

http://www.playpiano.com/Articles/chords.htm

Music Chords: How To Become a "Chord Detective"

Music Chords: How To Become a "Chord Detective"

Over the years I have been a piano teacher I have had many people call or write me and ask me something like this:

"I play by ear, or by chords, but lots of music doesn't have chord symbols written in -- how do I know what chord to play when?"

"Our hymn book doesn't tell which chords to use -- how can I know what to play?"

"I read music but don't have a clue what chords are being used. How can I know what they are?"

What do you do if you want to play a song using chords instead of the written sheet music notes, but the song doesn't have any chord symbols printed -- symbols such as Cm7, G13, B+, D dim7, etc.?

There's a logic behind every note written in music, & you can learn to understand that logic, and therefore understand music. If you can read music to some degree but don't "see through" the written music -- don't understand what you are seeing -- it is now very possible that you can put on your "chord glasses" that good "chord detectives" wear to see through all that mass of black printed notes on a white page of sheet music to quickly understand what chords are being used and the "family logic" behind it all.

The "family logic" is this: In every key there are certain chords which are organic to that key -- "family members", so to speak. For example, in the key of F the 3 most used chords are F, Bb and C. In the key of G the most used chords are G, C, and D. In the key of Eb the most used chords are Eb, Ab, and Bb. Do you see a pattern here?

Chords are based on scales, and the chords which are used the most in any key are built on the 1st degree of the scale, the 4th degree of the scale, and the 5th degree of the scale. They are identified by using the Roman numerals I, IV, and V.

So the most used chords in any key are the I chord, the IV chord, and the V chord. They are the primary chords, and they are all major. They occur way more than other chords. The next most used chords are the ii chord, the iv chord, and the iii chord -- all minor chords.

Just knowing these simple facts gives a musician a giant advantage when learning or playing a song. If he or she knows the most likely chords that are going to occur in a song, based on the key of the song, then they can scrape together other evidence quickly to build an air-tight case that they know the chords of that song.

For example, let's take two musicians about to play from a piece of sheet music. Both read music, but only one knows chords and music theory. The first musician looks at the notes and sees a Bb in the bass clef as the first note, a Eb in the bass clef in the second measure, a Bb in the 3rd measure, an F in the fourth measure, and so on. He can play what he sees, but nothing else, because he doesn't grasp the fact that the first few measure have given away the fact that the primary chords have been outlined.

The second musician looks at the same music, but with "X-ray eyes". He sees through the same notes into the chord structure behind the scenes.

The first musician is tied to the written music and limited to the notes printed on the sheet music, while the second musician has the best of both worlds: he can read the music and play it as it is written, but he can also add chords and fills and come out with a much bigger, more interesting arrangement than the first musician.

The benefits of becoming a chord detective are many:

It allows a musician to immediately identify what key a song is in...
It allows a musician to know POSITIVELY which chords are most likely to occur in each song...
It allows a musician to look at the first measure and the last measure and immediately know the harmonic form of any song...

Plus:

It works in any key -- major or minor...
It works with any kind of hymn or gospel song...
It works by releasing a musician from being "tied to the written music"...
It works by allowing a musician to add chords of his or her own...

The bottom line is this: knowing chords and music theory allows a "chord detective" to develop "see through eyes" that immediately perceive the structure of a song and then allow that musician to use both the written score and any fillers or improvisations he or she desires to add to a song.

For the entire article, please go to: http://playpiano.com/musical-courses/chord-detective.htm